Eltham Screen by Eleanor Nadimi displayed in an interior with a wooden chair, low table and small abstract painting.

Artworks & Objects.

Eltham Screen, 2026

Colour is at the centre of everything.
Moving between flat surfaces and three-dimensional forms, paint, fabric and straw marquetry are used to explore composition, balance and how a painting or object can transform the feeling of a room.

Wild Flower Meadow by Eleanor Nadimi, a colourful abstract painting presented within a reclaimed dark wood frame.

Wild Flower Meadow

Palm Springs Series No. 25 by Eleanor Nadimi, an abstract painting in black, ochre and brown within a reclaimed wood frame.

Palm Springs Series / 25

Untitled abstract painting by Eleanor Nadimi in black, brown, cream and yellow, presented within an ornate reclaimed gold frame.

Untitled

Most paintings begin with a found or reclaimed frame, whose proportions, colour and character help shape the artwork within. Painting onto the frame begins to blur the boundary between the work and the room it inhabits. When left untouched, the frame’s detail and history create a deliberate contrast with the abstract painting inside.

Form in Yellow, 2026

Into the Limelight and Out of the Limelight by Eleanor Nadimi, an abstract square painting with layered frames of cream, taupe, fluorescent yellow and black.

Eltham Screen combines painted forms with the natural lustre of rye straw, while the reverse is finished with hand-painted stripes. Designed to be enjoyed from both sides, the screen creates separation within a room while remaining an artwork in its own right.

Each screen is made to order, with colour, scale and design completely customisable.

Eltham Screen by Eleanor Nadimi, a three-panel folding screen combining golden rye straw marquetry with black and cream painted forms.
Reverse of Eltham Screen by Eleanor Nadimi, featuring hand-painted vertical stripes in blue, black, white and brown.
Close-up of Eltham Screen by Eleanor Nadimi, showing hand-applied golden rye straw marquetry alongside black and cream painted forms.

Eltham Screen, 2026

Out of the Limelight

Into the Limelight

Palm Springs Chair No. 3 by Eleanor Nadimi, with hand-tufted wool in green, blue, black, cream and peach on a vintage chrome mid-century chair.

Painting, textiles and marquetry offer different ways to explore colour, surface and composition. Each transforms a surface in its own way, creating new possibilities across flat artworks and three-dimensional objects.

Palm Springs Chair No. 3

Palm Springs Series No. 26 by Eleanor Nadimi, a colourful abstract painting that extends across its reclaimed decorative frame.

Palm Springs Series / 26